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L — authorial invention

Necronomicon

Literary invention
Autore fittizio citato nel gennaio 1921 · titolo nel settembre 1922, edito febbraio 1924

Necronomicon — the most famous forbidden book in literature, equipped with a complete and entirely invented bibliographical line of descent: an Arabic original around 730, a Greek translation of 950, a Latin translation of 1228, placement on the Index, Gothic and Spanish editions, surviving copies at Harvard's Widener, the Bibliothèque Nationale, the British Museum and the non-existent Miskatonic University.

In an old library hall, a folio volume with shelfmark labels lies chained and closed with a padlock on the lectern, beneath a lit lamp; in the foreground the catalogue register lies open with the librarian's annotations.
First appearance
Attributed to Abdul Alhazred. False bibliographical history in History of the Necronomicon, written 1927, published posthumously 1938.
What is told
The most famous forbidden book in literature, equipped with a complete and entirely invented bibliographical line of descent: an Arabic original around 730, a Greek translation of 950, a Latin translation of 1228, placement on the Index, Gothic and Spanish editions, surviving copies at Harvard's Widener, the Bibliothèque Nationale, the British Museum and the non-existent Miskatonic University.
In the corpus
The apparatus of verisimilitude is deliberate and is the real content of the text. Lovecraft stated that he found inventing mythical books more entertaining than using genuine occult literature.
Publication data
The name of the fictitious author appears in The Nameless City, written in January 1921; the title of the book in The Hound, written in September 1922 and published in «Weird Tales» in February 1924.
Caution
«Abdul Alhazred» is not correct Arabic: it juxtaposes two incompatible definite forms. It is the invention of an anglophone boy, not a transliteration. The so-called Simon Necronomicon of 1977 is a Sumero-Akkadian pastiche with Crowleyan grafts, judged a well-constructed forgery by the historian of magic Owen Davies.

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